Though the pure innocent joy of Homecoming may be gone, this Spidey sequel is decent enough. But is that the best Marvel can do?
Read MoreToy Story 4 cements that Pixar’s tentpole series has no equal in the era of franchise films.
Read MoreNo one asked for another Godzilla movie, nor a MonsterVerse, but a superb cast and a few fun fights make this blockbuster somewhat bearable.
Read MoreThe action is as good as ever; maybe better. But as the John Wick-iverse grows, so does the frustration with an unnecessarily overstuffed plot.
Read MoreAs the rare movie that exists above cinematic law, Endgame is more of a fascinating experiment in fan service than a coherent film. And that’s really all it could ever be.
Read MorePlot and dialogue don’t appear to be Claire Denis’s bread and butter, but striking scenes and a fully committed Juliette Binoche make this sci-fi film fairly memorable.
Read MoreJordan Peele’s second feature doesn’t have the cohesiveness of his Oscar-winning debut, but Lupita Nyong'o’s masterful performance keeps it afloat.
Read MorePaweł Pawlikowski may have crafted the most compact and yet powerful drama in recent cinematic history.
Read MoreWhatever deal M. Night Shyamalan made with the devil has long since ended; this movie is truly a mess.
Read MoreIt’s no Moonlight, but Barry Jenkins’s feature followup to that modern masterpiece is still brilliantly heart-wrenching and sadly beautiful.
Read MoreThough Adam McKay receives a few bonus points for degree of difficulty, his Dick Cheney biopic proves too massive to master.
Read MorePeter Jackson brings the First World War to life in haunting, unforgettable fashion.
Read MoreIt’ll soon be trite and lazy to say “Roma is a special film,” but that won’t make it any less true.
Read MoreSteve McQueen’s latest is a dark and desperate heist movie that forgoes “neat and tidy” and is all the better for it.
Read MoreIt is very strange to stream a new Coen brothers movie on Netflix, but this six-part collection of short films is as memorable and engaging as anything they’ve released on the big screen.
Read MoreIt could have been oh-so-much worse. In the end, the 2018 iteration of The Grinch is a pleasant if wholly unnecessary re-imagining of the tale done best by Boris Karloff and company in 1966.
Read MoreIt’s a complicated story to tell in two hours, but ultimately Jason Reitman can’t pin down what makes the saga of Gary Hart so nuanced and fascinating.
Read MoreIt’s hard to say whether Jacques Audiard’s Western will excite or irritate fans of the genre, but it’s worth going on the journey to find out.
Read MoreEven after resetting 40 years of post-original nonsense, this rebooted sequel is as disposable as the rest.
Read MoreThe first hour of Bradley Cooper’s directorial debut is pretty much perfect. And, despite a few missteps, the rest isn’t bad either.
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